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WILLIE
G.'s VISION
In 1977, the XLCR — whose design came from the pen and
back-shop labors of Willie G. Davidson himself — was hailed as
a beautiful design and an instant collector bike, but hardly
anyone bought one. The XLCR was built only in 1977 and '78, and
only 3123 copies were made.
Harley
buyers went for the more traditional and useable Super Glide,
while cafe-racer types found faster and more sophisticated fare
in bikes such as the BMW R90S, Kawasaki Z-1, Guzzi V7 Sport or
Ducati 900SS. Solo seating didn't help sell the XLCR, either,
though Harley came out with an optional dual saddle and
axle-mounted passenger pegs in 1978.
Strangely,
none of this seems to matter now as much as it did then. If the
Harley Café Racer was a little elemental and old-fashioned in
1977, its short comings gradually seem less important with the
passage of time.
No
one buys an XLCR these days as an only, all-purpose motorcycle.
If we really want to go somewhere two-up, or to race the
backroads solo, there are legions of newer bikes that are far
better than any of the XLCR's competition from 1977.
Take
away those period comparisons, and all you have left is a
charismatic vintage bike that is beautiful to look at and
exciting to ride, even now.
Willie
G's Café Racer may have finally reached that magical age where
a bike no longer needs to be better than some other venerable
thing to justify itself. It only has to move the soul.
Reprinted
from Cycle World |